Displaying items by tag: Wyatt Russell

THUNDERBOLTS*

US, 2025, 126 minutes, Colour.

Florence Pugh, Sebastian Stan, Julia Louis-Dreyfus, Lewis Pullman, David Harbour, Wyatt Russell, Hannah John-Kamen. Olga Kurylenko, Geraldine Viswanathan, Wendell Pearce.

Directed by Jake Schreier.

A recent listing declares that there have been 36 Marvel Studios films over almost 20 years. Thunderbolts*is the latest and seems to have appealed at the box office.

The Marvel Studios superhero team has been The Avengers – their working together to save civilisation, a number of back stories and further developments. So, the question: who are the Thunderbolts? This is not an action story showing them working together. Rather, it is their origin story of their moving to work together. In fact, the characters have appeared in a variety of Marvel films, as well as in the S*H*I*E*L*D television series. Several of them have appeared in the Captain America films or in the Antman films.

So, who are they now and what is the mission? (And an indication to audiences who rush out during the credits, there is a longer than usual post-credits sequence indicating the future.)

First to be introduced is Yelena, a strong presence with Florence Pugh. She is an assassin, getting tired of her work, controlled by a political mastermind, Valentina. Julia Louis Dreyfus was Veep, but here she is even more powerful, facing the Senate enquiry, masterminding laboratories for developing weapons and reconditioning human beings. Clearly, Julia Louis Dreyfus is thoroughly enjoying this sinister and commanding role.

Then there is return of Bucky Barnes, Sebastian Stan, familiar from the Captain America films, here seen in a political context, confronting Valentina. Then we are reintroduced to Alexi Shostakov, David Harbour, prominent former Russian agent, now down on his luck driving taxis. There is Ghost (Hannah John-Kamen) who can appear and disappear through walls, from the Antman films. And, again from Captain America, a possible Captain, John Walker, Wyatt Russell, supremely self-assured.

Then there is Bob, a reconditioned human, Lewis Pullman. He is a mysterious presence, lacklustre one minute, energised the next, – and the character from Marvel comics, The Sentry.

The first part of the action shows each of these characters in action, but, with Valentina’s sinister plans, a great deal of conflict and fighting with each other. When they eventually do begin to understand each other, see how they are being controlled by Valentina, and the concern about Bob, they join to become an active force, building up to an action-packed confrontation.

In many ways, this group consists of a rather unprepossessing lot. Anti-heroes? Not many superpowers, rather relying on determination, intelligence, physical force, available weapons. And, by and large, they don’t radiate immediate charm! So, it will be interesting, as well as a challenge, to move into their next film, working together as a unit, assertive, and, with the*in the title, moving towards being new avengers.

The director, Jake Schreier, has, up till now, had a strong career in music videos and television series.

1. Marvel Studios, the Thunderbolts comics, this film as the New Avengers introduction rather than a thunderbolts adventure?
2. Marvel Studios and superheroes, action adventure, futuristic, the New York setting, destruction of New York, Washington, the variety of centres and experimentation, signs? Special effects? Musical score? Theme song?
3. The range of characters, the introduction to each, their interactions, Bob as the common bond, Valentina, politics, impeachment, hearings, her control, experiments, budget, setting the base for New Avengers films?
4. The introduction to Yelena, assassinations, controlled by Valentina, top of the building, falling, Parachute? Getting out from assassinations? The encounter with Alexi, the taxis, his squalid situation, his past career, the apartment, costumes? Relationship with you Lena, her dead sister?
5. Audience knowledge of Bucky Barnes, Winter Soldier, the past films, in politics, the interview, concern about Valentina? The socials?
6. John Walker, here character but yet,, his family, the possibility in the past of his being Capt America? His role in the team?
7. Ghost, her presence, personality, contribution, less a member of the team?
8. Bob, the comic character, simple, affable, his past, ambitions, the transformation, his becoming the Sentry/Floyd? Participation with the group, the influence of Valentina, is mixed experiences, dangerous, affable? The resolution?
9. Valentina, the influence of her assistant, advice, yet prepared to betray her? The political background, the Senate enquiries and interrogations, her influence, control, plans?
10. The building up of the new team, not so much with superpowers, the contrast with the Avengers, the final action sequences, CGI, stunt work, battles, the team winning, the role of Bob, the defeat of Valentina?

NIGHT SWIM

US, 2023, 98 minutes, Colour.

Wyatt Russell, Kerry Condon,

Directed by Bryce McGuire.

In more recent times, there have been a number of “horror films” which are more widely accessible to a drama friendly audience. There are not horror films in the sense of blood and gore, the type of horror films popular at horror festivals. Rather, the new films are films of menace, haunting, often with what might be called PG characters. They can play well to a more family oriented audience but are denounced as to tame by the gore aficionados.

We are introduced to the touch of menace immediately, a little girl with her invalid brother, a toy floating in their pool, her deciding to retrieve it, but her then being dragged into the pool and disappearing.

What follows is, in many ways, the kind of plot we might have anticipated. A family, the father a baseball champion but debilitated and recuperating, a supportive mother who works in school administration, an older daughter, a younger son, deciding to settle down and buy a house. Of course, they are attracted by the house and the pool. So, we really know what is going to happen but the tantalising aspect of the film is how it will happen.

Audiences will be attracted by this pleasantly average American family, the father played by Wyatt Russell and the mother played by the Irish actress, Kerry Condon (Banshees of Innisfail). There are scenes with the doctor and hope of recuperation, there are scenes of swimming and the father getting better, there is exaltation in having the pool.

However, the daughter senses presence of others but no one there. The son enjoys a game of retrieving coins, but no one there. The mother senses eerie presences, but no one there. But, we know who’s there!

There is a happy sequence where the father takes his son to a baseball practice, the mother encouraging the somewhat timid son to hit the ball – and he does. But, the crowd persuades the father to demonstrate his past progress and he certainly smashes the ball. Happiness all round.

l

So, what better than to have a party, to invite everyone from the school, the neighbours, a welcoming party. But, of course, the haunting strikes, everyone afraid, leaving, denouncing the family.

There are some complications, of course, the mother seeking out the owner of the previous house to get the story and learning of a strange mythology of the powers of water, the healing power but there always demanding a human sacrifice, giving up the weakest member of the family. Which leads them to a dramatic underwater climax, family confrontation – some saved, and a sacrifice made the sake of others.

1. Drama, touches of menace and horror? Wanting? Powers evil? But a family story?
2. The formula, Rebecca and the haunted house, the drowning? The empty house, sale, suppression of the truth? The buying of the house? Manifestations of evil, manifestations of healing?
3. The American family, middle American, the baseball background, reputation, loving father, loving wife, son and daughter, the wife of the school in administration, husband and his therapy? The stories about the birth of the children? The moves, wanting to set down roots, the house, the attraction of the pool?
4. The father, interviews with the doctor, diagnosis, therapy, improvement? The wife, work at the school, her bonding with the children, support of her husband?
5. Elliott, in the pool, the issue of the coins, no one present? The sound on the diving board? The presence of Rebecca, Elliot putting his hand in the entry, voice, his fears? Isabelle, in the water, a sense of presence, absence? The same with the wife? The husband in the pool, the relationships, the effects, the atmosphere?
6. The baseball episode, his mother encouraging Elliot, hitting the ball, the father and the enormous it, the ball, the souvenir the autograph?
7. Isabelle, friendship with Ronin, the pool, the visit at night, the eerie experiences?
8. The party, the friends and children arriving, the happiness, the mother’s discussion with the estate agent, the revelation of the Rebecca story?
9. The boy with the autograph, on the father’s shoulders, confronting the big man, the pressure, the boy almost drowning, the father, the blackness in the pool, absorbing it? The hostile reactions of the families?
10. The father, his physical health improving? Yet the aftermath of the incident, his being paralysed? Driving the car? The mother, seeking out the Japanese mother, the interview, the mythology of the lake, the power, healing but wanting a sacrifice? The son becoming wealthy? Rebecca expendable?
11. The buildup to the finale, the sacrifice of Elliot, being weak, in the pool, the father, Isabelle with the bat? Elliot, under the counter, his mother diving in to save him? Isabella, the haunting, saving Elliot, getting a baseball bat, confronting their father, the mother, Rebecca helping, the final confrontation? Elliot the weakest? The father and his self-sacrifice?

12. A haunting story rather gory? And a PG story?