Displaying items by tag: Shawn Levy

ROBIN’S WISH

US, 2020, 77 minutes, Colour.

Directed by Tylor Norwood.

In 2018, four years after the death of actor and comic, Robin Williams, a tribute documentary was produced with an indicative title: Robin Williams: Come Inside My Mind. It was an attempt to explore how Robin Williams ticked, his intelligence, his wit, his capacity to entertain. But it also raises the issues of addictions and the consequences.

This documentary, Robin’s Wish, was released two years later. The basic insight of the film is the revelation that Robin Williams was suffering from a neurological disease, Lewy Body Dementia, but little is known about it. And, throughout the film, there are a number of medical experts who explain the condition, how it affects the brain, the psychological consequences, the influences of behaviour, seemingly erratic.

While the film does fill in a lot of the biography of Williams, is a boy, his growing up, his talent for acting, his comic talent, improvisation, his film opportunities, his life in Marine County, testimony from close friends over decades, several of his neighbours, the title highlights his wish to entertain. However, with many interviews with his wife, Susan Schneiders, the descriptions of his last years, the effect of the disease on him and day-to-day life, as well as director, Shawn Levy with extent of comment about Williams on the set of the final Night at the Museum film provide insights into what was happening in Robin Williams brain, in his mind..

Robin Williams was well liked, is admired for his screen performances, both serious and comic, never short of a word, stunning people with his capacity for improvisation. The world was saddened at the news of his death. This documentary goes some way to helping audiences understand what goes on in of life someone in the public eye, well-known from the media, but struggling with physical and psychological issues which can lead to death.

DEADPOOL & WOLVERINE

US, 2024, 128 minutes, Colour.

Ryan Reynolds, Hugh Jackman, Emma Corrin, Matthew McFadyen, Jon Favreau, Marina Baccarin, Rob Delaney, Leslie Uggams, Jennifer Garner, Wesley Snipes, Channing Tatum, Chris Evans, Henry Cavill, Tyler Mane, Blake Lively, Nathan Fillion, Matthew McConnaughey.

Directed by Shawn Levy.

 Probably best to say at the outset, Deadpool & Wolverine is beyond review. Within two weeks of its opening around the world, its box office is almost $1 billion. Which means that worldwide, it has been instantly seen by millions. With much more to follow.

It does raise an interesting 2024 question concerning the two films which have been most successful, Inside Out 2 and Deadpool and Wolverine. What they have in common is the animation/cartoon style. And they appeal to a wide audience. However, Inside Out 2 is appealing to deeper human feelings, to sensitivity and empathy. Deadpool & Wolverine is appealing to an emotional bonanza, excitement extravaganza, no holds barred, limitless imagination, potential cosmic destruction, violent visual conflict between good and evil, and superheroes to the rescue. And, not exactly modestly, Deadpool considers himself as a world saviour, a ‘Marvel Jesus’, booking his place in future Christ-figure studies.

There were a lot of writers for this film, including Ryan Reynolds, and it is full of disposable, throwaway quips, some of them very funny, references to the ups and downs of the Marvel film franchise, Disney, a collapsed Fox logo, to Hugh Jackman and his divorce, but there for the attentive satirical ear.

And the film presupposes favourable response to Deadpool in the Ryan Reynolds style (and a later Reynolds variation appears, over nice with the pet dog, Dogpool). Wade Wilson with his mixed history and burnt face, is eager to be in Avengers story, but put on hold. However, as always with American films, there is a bureaucratic British villain, Matthew McFadyen (now widely-known because of his presence in Succession). There is a bureau for saving timelines, there is a threat to the universe, Deadpool is there to combat but the only person he wants to work with is Wolverine. (And a bevy of jokes about a range of alternate Wolverines, visualised comically, all Hugh Jackman-aggressive). Probably this is the moment in a review to mention what one might call hyper-frequent coarse language.

There are also constant references to the previous Deadpool films as well as to the many X-Men films which fans will enjoy (and quite some entertaining references during the final credits). A surprise for the early viewers of the film but now everybody knows, a lot of cameos from previous superheroes like Wesley Snipes as Blade, Jennifer Garner as Electra, and especially Chris Evans as Captain America and a French-accented Channing Tatum. Even Ryan Reynolds’ wife, Blake Lively, appears as Lady Deadpool!

While it is acknowledged with specific reference to Furiosa, a large part of the early film is an extravagant variation on the Mad Max movies. Then we discover a new villain, Cassandra (Emma Corrin), a bald half sister of Patrick Stewart’s Charles (though he and, up till now, we, never knew about her). And she has super destructive powers. Which leads to quite a lot of mayhem, extravagantly high body count, the confrontation with a legion of Deadpool variations and their slaughter – but the power of regeneration and the possibility of it all over again.

So, it looks as though this is the entertainment to cheer worldwide audiences in the Groupe of so many war tensions, civil wars and invasions, terrorism of 2024. As they say, the audiences have been lapping it up – but, those with more restrained sensibilities, might find it more than they can gulp or swallow.