Displaying items by tag: Michele Dockery
Flight Risk
FLIGHT RISK
US, 2025, 91 minutes, Colour.
Michelle Dockery, Topher Grace, Mark Wahlberg, Maaz Ali, Paul Ben-Victor.
Directed by Mel Gibson.
Best to consider first the issue of Mel Gibson, his reputation, personal, as a filmmaker. Many audiences react against Mel Gibson because of his strong views, his anti-Semitic outbursts in the past. (Catholic audiences are probably dismayed by his extreme views about the church, tradition, the inheritance from his father’s Conservative stances but will still go to see and even enjoy his films!).
In fact, Mel Gibson is an Oscar-winning director with Braveheart. He also directed Apocalypto and Hacksaw Ridge which have strong reputations. And, of course, there is The Passion of the Christ.
This 90 minute action show is a long way from these films. Gibson said he wanted to make it for sheer entertainment and that is what it offers. It is reminiscent of a number of films but that is the nature of the popular action show.
While Mark Wahlberg has top billing, above the title, the main strength of the film is with Michelle Dockery, Madolyn, taking some time off from Downton Abbey. She is an officer who has allowed someone to die on her watch and has been suspended, given the opportunity for rehabilitation, going to Alaska to apprehend a key witness against a violent financial criminal. The witness is Winston, played by Topher Grace, a timid desk person but shrewd in his management of money, incessantly chatty, but with the possibility of some kind of redemption and witness protection.
The bulk of the film takes place in the air during a flight across Alaska to Anchorage. Mark Wahlberg plays the good old boy pilot, even having the top of his head shaved which makes him seem more eerie! And, it very quickly emerges that he is not what he seems and, in fact, is a hired killer.
Which means then that there are lots of complications during the flight, guns, knives, but, especially, effective tasering. The plane is rickety, the mountain peaks ominously looming, Madolyn having to fly the plane, on automatic, getting guidance from an official who is flirtatious while giving his advice. Then there is the question of a leak in the department, suspicion on Madolyn’s contact, on her boss, and the taunts of the hitman pilot.
And, there is always the excitement of the crash landing.
Most entertainment action films are made up of elements that we are familiar with but with some variations. Same here.
- Expectations of Mel Gibson film? Of an action film? Action in the plane?
- The Alaskan settings, the town, the mountains, the city, the tarmac…? The musical score?
- Situation, Winston, his background, accounting, doing deals for criminals, under threat? Hiding in Alaska? His personality, chatter, his mother, fearful? Wanted as a witness?
- Madolyn, her history, the person killed under her watch, suspended, invited back, determined, the confrontation with Winston, taking him in? The plane flight to New York? Her contact with Janine through phone? Some suspicions of her? Contact with Coleridge the boss? The discovery of the truth? The ruthlessness, Janine’s death?
- The plane, the pilot, Mark Wahlberg, jovial old boy, the bald head? The chatter, the blood? Madolyn realising the truth, pulling the gun, the struggle, Tasering him? The reality of his being a hit man, knowing all about her, taunting her? The fights, tying him up, the spectacles, cutting loose? His personality, taunting?
- The pilot loose, the fight, Winston and the knife, his being stabbed?
- Madolyn, using her wits, strength, talking with Winston, the threats to him, untying him? The personal story, his mother? Autopilot? Talking with Janine, talking with Coleridge? The discussions with Hasan, jovial, flirting, his helping her land?
- The dramatic issues, the fights, the mountains, fuel diminishing, the landing, the wind, the crashing, the pilot thrown out, run over by the vehicle?
- Landing, the hospital for Winston, her meeting Hasan? The threats by Coleridge, her recording them? Vindication?
Boy Kills World
BOY KILLS WORLD
US, 2023, 111 minutes, Colour.
Bill Skarsgaard, Jessica Rothe, Michelle Dockery, Brett Gelman, Isaiah Mustafa, Yayan Ruhian, Quinn Copeland, Sharlto Copley, Famke Janssen. Voice: H.Jon Benjamin.
Directed by Moritz Mohr.
It is probably best to give an alert immediately. This is an action fantasy but at times it is a wallow in what a clockwork Orange calls "a bit of the ultra-violence," which can best be defined as excessive or even over the top levels of brutality – Alex and his droogs would certainly enjoy it.
This is a highly macho show, not much female interest until the finale, but the filmmakers seem to have a younger audience in mind, a macho junior kind of entertainment.
Throughout the film, with its totalitarian futuristic city, its purge, this time called “The Culling”, with its initial reminders of The Hunger Games, and, in the latter part, a television musical special parallel with the gladiatorial combats of The Hunger Games, there were constant reminders of Graphic Novels, the panels of cartoon action, the dialogue in the bubble of the cartoon panel. Which means, of course, that it is not meant to be taken as realistic in any way. It is a fantasy.
Then, the final credits are exactly that, a whole range of cartoon characters and action, of graphic novel comic panels, the instant action, the cartoon-style dialogue, the stylised impact.
The overall plot is basically interesting, an explanation of the domination of the leader, Hilda Van Der Koy (Famke Janssen) the ruthlessness of The Culling, the execution of a very nice family, the survival of the boy (Bill Skarsgaard, Pennywise in the It movies), his being trained by a shaman in the jungle, lots of episodes of martial arts, combat, motivation to have his revenge on Hilda Van Der Koy. The boy is deaf but there is an inner gruffly aggressive voice, and regular appearances of his executed little sister, a kind of Anama figure trying to control his passionately aggressive Animus.
In fact, the action gets very quickly into the attack, and here is the wallow in the ultraviolence, combats, fights, deaths galore. There are also some nasty characters, Sharlto Copley as Glenn, a clownish spokesman on behalf of the regime, violently ruthless, but then we see his even more ruthless wife, in control of the state, Melanie Van Der Koy, Michelle Dockery a long way from Lady Mary at Downton Abbey. But, the boy finds two allies who are able to join him in the combats, rescue him when captured, lead to the final confrontation.
And, it takes place in the staging of a television special, song and dance, vast sets, studio audience (definitely reminding us of The Hunger Games) but the victims of the culling on stage and being hunted down and killed ruthlessly. But, when the boy and his associates go into action, the villains being hunted down and killed even more ruthlessly.
Perhaps a word that needs to be introduced into reviews of this kind of action show is “slaughter”.
However, interest is certainly raised when there is quite an unexpected twist at the end, dramatic.
The office of classification has given Boy Kills World an MA certificate, and references blood and gore.
