Displaying items by tag: Juliette Binoche

THE TASTE OF THINGS/ La passion de Dodin Bouffant

France, 2023, 135 minutes, Colour.

Juliette Binoche, Benoit Magimel, Emmanuel Salinger.

Directed by Anh Hung Tran.

The title is a bit generic! But it does lead us in the way of food. Perhaps the original French title, La passion de Dodin Bouffant, which actually indicates the narrative of this story, seem too cumbersome for the English version.

Chef, menu, restaurant, gourmet, all words that lead us to France and French cuisine. And, for 135 minutes, this is a film, with extraordinary detail, about French cuisine. No idea here of just rustling something up for the evening meal!

What is immediately attractive about the presentation is that this is a period drama, an elegant 19^th century mansion, costumes and decor, a slower paced atmosphere, inviting the audience in, to become more quiet, to observe, to wonder…

In fact, for the first 30 minutes of the film, there is a detailed step-by-step preparation of a meal – an ordinary meal in this household rather than a banquet even though the dishes prepared would serve beautifully at a banquet. This is the household of Didon Bouffant who is a master chef. And he is assisted, for over 20 years, by Eugenie, obviously in love with her but her refusing his proposals. Eugenie is seen gathering the vegetables in the garden, then that half-hour in the kitchen, such preparation of each of the ingredients for the meal, the vast fire stove, the utensils, the attention given to preparing fish, meats, vegetables, sauces, precision with tastes and the time for cooking…

And, of course, beautiful desserts.  We feel we are there. And there are still more meal preparations to come. And the guests savouring the meals. And a celebration for Eugenie herself.

Obviously, this is a film for audiences who value food, who appreciate preparation and cooking, who have a discriminating sense of taste. For audiences who do not, especially with fast-food habits and taste to match, this film will be a challenge – or, perhaps, too detailed, even boring.

The film was written and directed by Vietnam-born, Ahn Hung Tran, directors of Vietnam themed films like The Scent of Green Papaya, Cyclo. The screenplay is based on a book by Marcel Roufe (1877-1936, drawing on his own experiences of that period). There had been a French movie for television of his book in 1972.

Juliette Binoche has been wonderful in films for over 30 years and brings an extraordinary charm and strength to Eugenie, an older woman, cooking her life, working with Dodin in the kitchen, supporting him in his meeting this with business associates from the area, but not wanting to sit and eat with them though she has strong friendships with them. Dodin is played by veteran actor, also charming, Benoit Magimel.

There is a pleasant subplot, the assistant cook and her younger sister helping out, and Eugenie’s discovery that the young girl is gifted with all kinds of culinary talents, and the desire for her to become an apprentice in the kitchen, her parents initially wary, but the young girl eager to learn.

And for the Romantics in the audience, the gently-pleasing relationship between Eugenie and Dodin, genteel, restrained, and his growing concern about her health.

So, what else can a reviewer say, except that the film is so beautiful to look at, the cast is charming, and the food, preparation, cooking, serving…Parfait!

1. The tone of the English title? The essence of the French title?
2. French sensibility, food, cooking, gourmet? Audience response?
3. The period, 19^th century style, pace, costumes and decor, the mansion, the interiors, the garden? The focus on the kitchen, the detail, the dining room? Eugenie’s room? The musical score and tone?
4. The situation, Dodin, his ability as a chef, cook, social status, his associates, his work in the kitchen, his hosting the dinners, his relationship with Eugenie, in love, the proposals, her refusals, the quiet intimacy between them? The Prince and his visit, the program of the eight-hour dinner? The issue of Eugenie’s health? The staff in the kitchen, the assistant, her niece, the talent, hope for the future?
5. Eugenie, age, experience, longtime cooking, the relationship with Dodin, 20 years, love, refusing the proposals? Seen in the garden picking the vegetables, her work in the kitchen, meticulous attention to detail, with the assistant, with the young girl, appreciating her talent, finalising the meals, their being served, her not joining the guests? Her quiet life, her health, her fainting, collapses, medical attention? Her death? And the final reprise of the end of the film with her being with Dodin?
6. The first 30 minutes, the meticulous preparation of the dinner, so much detail? Audience response?
7. The further work in the kitchen, Dodin and his working with Eugenie, the assistant, the approach to the parents of the young girl, their eventually bringing her, her skills, her ambitions, going to work in the kitchen?
8. The background of the director, Vietnam, his move to France, his sensibilities?
9. For audiences who love food and cooking? The impact for those who tend to be observers than experts on food?

THE 33

US, 2015, 127 minutes, Colour.

Antonio Banderas, Rodrigo Santoro, Juliettw Binoche, Lou Diamond Philips, Mario Casas, Gabriel Byrne, Bob Gunton, James Brolin.

Directed by Patricia Riggen.

The 33 of the title are the miners who were trapped for almost 70 days in a mountain collapse in the desert in Chile, 2010.

This is a re-enactment of the disaster, establishing the happy atmosphere of the men and their families and their village, the going to work, the suggestion that the mine in the mountain is unsafe and authorities rejecting this, the travel to the mountain, the long drive in the vehicle going further down in depth.

The disaster happens fairly quickly, collapse, injuries, the men trying to escape, gathering together, all surviving, going to the mine centre where there is shelter and some food. The film will intercut with the miners, their managing, working together, the issue of food and rationing, some prejudice against a Bolivian, the toll on the long wait.

Meanwhile, on the surface, the focus is on the women, at the fences, not given information, protesting, the group led by a very feisty Juliette Binoche.

Then there is the political response, the president of Chile, Bob Gunton, and his mining Minister, Rodrigo Santoro, humane man, inexperienced, who goes to the site, is confronted by the women, but works to find experts to come in for the drilling. They are led by Gabriel Byrne.

So, there is the intercutting between life on the surface, the establishing of a kind of village for those waiting, the media, the various experts. There is tension, mistakes made, and eventual breakthrough.

However, the ordeal was to continue, attempts to find ways in which they could bring them into the surface, drills from Australia, Canada, the United States, the need for huge magnets from Brazil to move iron blocking the descent. But, in the meantime, the men were provided with food, necessities, moral support, cameras and the ability to talk with their families.

Ultimately, the operation was a great success, the men rescued but, as the film indicated the company not found guilty of negligence, the men not compensated – but the credits sequences showing them, in fact, faces and names, and a final group photo – and the information that many of them participated in the making of the film.

Audiences might like to compare Ron Howard’s 13 Lives and the rescue of the boys from the Thai tunnel or A.J.Bayona’s Society of the Snow, the survival of the Uruguayan football team the crashed into the Andes in 1972.

1. Based on a true story? A few years after the events? Some of the former miners, out of work, participating in the film? World headlines? International collaboration?
2. The setting in Chile, the desert, the towns, the mine, the tunnel, the depths, the roads and vehicles, the rest centre? The president’s offices? The building up of the community outside the mine entry? The musical score, Latin overtones and instruments? The central song and its Cappuccio
3. The setting, the town, the miners, preparing for work, the party gathering, Elvis’s song, happy spirits? The men, wives, daughters, the children? The status of the mine, since 1989, Don Lucho and his concerns, the boss waving them away?
4. The journey to the mine, spirits, the long entry, the drive, the only way out? The image of the receding entry?
5. The work, the minerals, the shifts, the collapses, the rocks falling, injuries, the men escaping, the man hanging over the abyss, the vehicles, the crashes, assembling, the 33 still alive, going to the centre?
6. The drama showing the number of days, the cumulative effect? The men, interactions amongst themselves, friendly, the bigotry against the Bolivian, the issue of the food, limits, Mario as leader, with the key, over the days, controlling the meals, every 24 hours, the limits? The men and their hopes? Tensions, some with nightmares? The passing of the days, the radio not working, headlights?
7. The drama the top, the women and families, at the gate, Maria, her leadership, the earlier seen giving the sandwich to her brother, speaking out, the confrontation with Laurence, getting him to promise, slapping his face, her leadership, everybody staying at the fence, throwing stones, the demands? The reaction of the authorities, the police?
8. The political repercussions, the president and the Minister, the discussions, personal concerns, political concerns? The personality of the Minister, suit and tie, going to the site, the confrontation with Maria? The contact with the companies, Andre Sougarrett, his expertise, the geological aspects, mining aspects, the depths, boring into the Rock?
9. The interactions between Sougarrett and Laurence, hopes, missing out by 10 m, time passing, Sougarrett prepared to give up, Laurence and the talk was Maria, learning by mistakes, Laurence and the proposed solution, Sue Garrett weary, agreeing, the new tactic? Eventually breaking through?
10. The men, hearing the drilling, stopping, hopes, upset, the joy of the final breakthrough?
11. The aftermath, food, clothing, technology, the cameras, the man able to talk to camera to their family? Maria disappointed, waiting for her brother? The boost of morale? The television programs, the journalist, the commentary? The issue of Mario and writing the book and the contract? The men’s reactions, his later reaction?
12. The task of bringing them into the surface, the television series, the Australian solution, the Canadian solution, effective, failing? Bringing in the Americans? The discovery of the iron, the bringing in of the magnets? Able to break through? The long time?
13. The capsule eventually getting through, Alex, age, his wife, pregnant, his going up, the tension with the capsule stuck, the release, his emerging, reunion? The men continually coming up, families? The background of the man with the wife and mistress and her not being allowed into the compound? His wife going off? Maria and her brother, his searching for her, the reunion?
14. The impact the Laurence, his human involvement, the politics, interacting with Sougarrett and the others? With the president?
15. A world achievement, collaboration, technology, rescue, the long time?
16. The postscript with the actual men, faces and names, the information that the company was not held responsible, no recompense for the men? The final photo and they gather together?