Displaying items by tag: Glenn Close

BACK IN ACTION

US, 2025, 114 minutes, Colour.

Jamie Foxx, Cameron Diaz, Mckenna Roberts, Rylan Jackson, Kyle Chandler, Glenn Close, Jamie Demetriou, Andrew Scott.

Directed by Seth Gordon.

After more than 10 years away from the screen, Cameron Diaz, so popular in the 1990s and 2000s, returns to the screen, with some enthusiasm.

This is an enjoyable action show even if, some critical of this kind of show tell su we have seen most of it before. But, is that necessarily a bad thing!

Cameron Diaz works here with Jamie Foxx, secret agents, plenty of action to establish their characters, but betrayals, suspicion of the MI6, their being abducted, a fight in the air, crash landing and the decision to disappear and lead an ordinary life.

Then 15 years later, we see the now-ordinary American couple, their two teenage children, the complaining suspicious daughter, the precocious young son, devoted parents in Middle America, at home, sports and teachers meetings, Mother too demanding. Then exhibiting rather martial arts skills when least expected.

Blame social media for breaking the secrecy but, in an encounter in a club to rescue her daughter, mother goes into action and is photographed, displayed on social media, their American handler immediately coming to catch up with them, his being shot at, and their going on the run with their children, no explanations, the children continually amazed.

They go to the grandmother in England, an elitist British spy in her day, owning a mansion – and, a great bonus, one of those very eccentric performances from Glenn Close. And, into the bargain, the MI6agent is played by Andrew Scott, increasingly popular and versatile on stage and screen, especially with his interpretation of Ripley.

Plenty of action, quite some comedy with the grandmother’s toyboy in training for the Secret Service and not too good at it, Jamie Demetrio, betrayals, climaxes, and final action in the Thames.

Yes, maybe we have seen a lot of it before, but no harm now in seeing it in the hands of Jamie Foxx and Cameron Diaz and Glenn Close.

1. Straightforward title? The initial action, 15 years of domestic life, back in action?
2. References to James Bond and Jason Bourne, espionage action, old-style films, dangers, undercover, expertise in fighting, weapons? The espionage situation, MI6, the CIA? Belarusian terrorists? The lull in the 15 years, then back in action, no holds barred? The musical score?
3. The opening, the disguise, the social, Chuck and his control, meeting the host, getting his fingerprint, opening the safe, getting the key, the dangers, the escape? The encounter with Baron, the past relationship? On the plane, abducted, the fights, the death of the pilot, the crash, the parachute and the landing, the decision to disappear?
4. The 15 years, domestic comedy, the almost-Boomers, their style, compared with the children, 14 and 12, life at school, studies and friends, boyfriends, the club and dances, the young boy intelligent, studious, and the parents spying on them, using all the technology, the reaction of the children?
5. The episode at the club, the fight, going online, their being identified, Chuck arriving at the door, his being shot, the gunmen, getting the children, the car, the pursuit? The puzzle of the children? Emily and Matt have become very domesticated, but going into action again, Emily exhilarated by the fight the club?
6. The issue of the key, Matt hiding it with Emily’s mother, going to England, the flight, the continued bewilderment of the children, at passport control, the fake passports, observed, getting the rental car, the drive, the pursuit, at the diner, the petrol in the flamethrower, the fighting techniques, the children in the English breakfast, using the pewter, enabling the pinpointing of their presence?
7. The continued chase, barren in pursuit, shooting the truck with the pipes and blocking the road? Barren discovery going to Emily’s mother is? His knowing that Emily thought he was a traitor?
8. Emily and the story about her mother, the dispute between them, boarding school in America, her mother is a spy? Glenn close enjoying this rule? Nigel, the toyboy, training for the Secret Service, his ineptness, his dumb remarks, yet the romance? Boys showing him up with throwing the darts and weapons?
9. The siege of the house, finding the Chuck was the traitor, his explanation of his being sacked because of their disappearance? His contact with the various groups?
10. Emily’s mother, her manner, career, tough, British, not embracing? It is in Nigel? Matt recovering the key? The abduction of the children? The discovery of the event at the Tate Modern?
11. Dressed up for the occasion, getting in, Chuck with the key, Daphne and her controls, the option, the bidders, turning the lights of the city on and off, opening the floodgates for the Thames?
12. Confrontations, the pursuit, taking the children, on the boat, Chuck in his communication with Daphne, grandmother to the rescue with the shooting, Emily and Matt, on the bikes, the tactics, into the boat, risking the children, the fights?
13. Nigel, the encounter with Daphne on the crash, with the computer, his dithering, ultimately succeeding despite himself? Send himself as a hero?
14. The final rescue, everybody in the US, the soccer match, the daughter and her success, reconciliation between Emily and her mother, Nigel present? Get into the car, and Barry with a proposal for future action?

THE DELIVERANCE

US, 2024, 112 minutes, Colour.

Andra Day, Glenn Close, Anthony B.J enkins, Caleb MacLaughlin, Demi Singleton, Aunjanue Ellis-Taylor, Monique, Omar Epps, Colleen Camp.

Directed by Lee Daniels.

It is more than half a century since The Exorcist made such an impact on worldwide audiences. And there have been so many sequels, imitations, parodies over the 50 years. The 2020s saw a renewed interest in exorcism films but, at the opening of this film there is a declaration there is a difference between exorcisms and the ritual of deliverance from evil power.

For almost the first half of the film, it is a portrait of a dysfunctional African-American family living in an urban neighbourhood. The focus is on Ebony, played by singer Andra Day, addictions, term in prison, husband away in Iraq, though new house. She tries to manage the children, older teenage Nate, younger teenage Shante, and she favours little boy, Dre. There are tensions in the house, Ebony and her drinking, Irresponsibilities, trying to maintain discipline. The further complication is the presence of her mother living with them, and Ebony’s resentment towards her mother and her upbringing, her mother’s irresponsibilities. Her mother now has cancer, having chemotherapy, but also a religious conversion. And, she is white. And she is played by Glenn Close, obviously enjoying herself in an offbeat role, tough, domineering, echoing her performance as the raucous grandmother in Hillbilly Elegy (the biography film of J.D.Vance, that J.D. Vance).

But, soon there are echoes of The Exorcist as well as such house possession films as The Amityville Horror. And the evil manifests itself in Dre, withdrawn, talking with an imaginary friend, and the house filled with flies, foul smell.

While the parallels with the mother in The Exorcist and Ebony emerge, process of Deliverance is more complex, social welfare arriving to take on the children, Ebony’s mother and her continuing illness, Ebony herself resentful of her mother placing a crucifix on the wall.

In the 2023 sequel to The Exorcist, the ritual is not confined to Catholics. It opened up the possibility of other exorcists from denominations or other religions. This time, the Deliverer is a woman pastor of the church, calling herself an apostle, failing in a past attempt at deliverance but now engaging with Ebony to confront the bizarre behaviour of her children, the alarmingly sinister reappearance of her dead mother, the shape shifting in possession of the various characters by the Demons.

But those sceptical of such stories of possession and exorcism and deliverance, it will just be an equivalent of a social horror film. For those who find such stories credible, this is a different perspective, the experience of the African-American family, the influence of evangelical Christianity and beliefs.

1. The title, exorcisms, the contrast with deliverance from evil power?
2. An African-American urban story, family, dysfunctional, challenges? The transition to the demonic? The religious dimension? Health and psychological dimension? Confronting evil?
3. The city, the neighbourhood, the streets, homes, interiors? Schools? Hospitals? The musical score?
4. The opening part of the film, the family dynamics? Ebony, husband in Iraq, moving, the new home, her personal problems, addiction, drinking, past prison sentence? Custody of her children? Relationship with her children, home life, her responsibilities, irresponsibility, drinking? STONE attitudes? The presence of her mother, her mother’s background, treatment of her as a child? Her mother’s conversion, cancer and chemotherapy? The details of life in the family, meals, conversations, the children’s attitudes towards her mother?
5. The character of Alberta, Glenn Close, raucous and rugged, her past, relationships, African-American partner, the birth of Ebony? Bringing her up, the antagonism? The coming to live with the family, criticisms of the meal, her comments, with the children, her chemotherapy, the flirtation with the assistant? The clashes with Cynthia? Putting up the crucifix and Ebony’s hostility? The buildup to her death?
6. The children, their ages, going to school, the taunts from the children in the street? Nate, his age, contact with his father, the money, hiding the alcohol from his mother, confronting her, wanting to leave? Yet genial with the others? Shante, her age, prim, reading and study, the issue of her birthday party? Dre, his age, talking with his imaginary friend, going to the basement, going to school, favoured by his mother, yet her discipline with him?
7. The new house, the screenplay intimating an evil presence, Dre talking to his friend, going to the basement, the flies, the smell? The visit of Cynthia, her supervision, Ebony’s hostility, wanting to talk with the children? The official position, criticisms, visits, the story of the death of her child?
8. The woman taking the pictures, in the car, assumption she was with Cynthia? The later revelation, the background of the Church and the churchgoing? Her seeing herself as an apostle? The story of the family living there, and not be able to help the boy? The visuals of the family turning on each other, the mother and her killings? The presence of demons, demonic possession and behaviour?
9. Dre, the bizarre behaviour, withdrawals? The scene of the mess in the room and Ebony’s behaviour? Nate and his trying to strangle Dre in the bath? The continued bizarre behaviour? Cynthia, the withdrawal of the children?
10. Ebony, the talking with the apostle, getting herself in order, the attempt at the deliverance ritual, the death of the Apostle? Ebony, gaining strength, her spiritual attitude, prayer?
11. The crucifix, in flames, the death of her mother, the Demon shape shifting, in various forms of family, the diabolical presence of her mother, the teeth, the condemnations?
12. Ebony, overcoming the demonic presence? The future with her family?