Displaying items by tag: David Jonsson

ALIEN: ROMULUS

US/UK, 2024, 120 minutes, Colour.

Cailee Spaeny, David Jonsson, Archie Renaux, Isabela Merced, Spike Fearn, Aileen Wu, David Betts, Ian Holm facial and voice.

Directed by Fede Alvarez.

Reviewer advice. First, this is definitely a film that needs to be seen in the cinema, in the dark, the impact of a large screen and high-tech sound system. Second, this is a film of continued tension, the skill in making its audience feel on edge throughout the film, prolonged time unrelieved, enhanced because this is a serious narrative futuristic story incorporating an atmosphere of terror.

For older audiences, it is amazing to think that it is 45 years since Ridley Scott directed the original Alien, its making such an impact in its time, and the emergence of Sigourney Weaver as Ripley, setting a mark for women in leadership/warrior roles. Alien: Romulus is the seventh Alien film, set in time between the original and Alien 2.

There were a number of Ripley sequels, there were also the two prequels, Prometheus and Covenant. With Alien: Romulus, there is a younger director, Fede Alvarez from Uruguay, who made his mark with some American horror thrillers, Evil Dead and Don’t Breathe. But, while he certainly draws on his capacity for horror and terror, this is a ambitiously vast project. And, it has the advantage of many references to the original film, quite a number of parallels in the action. It opens on a planet light years from Earth, a sunless planet, owned by the mining company, the men and women there virtually slaves, trapped in hard labour.

The main part of the film, however, is on the space ship, large but claustrophobic, high-tech but menaced mysterious and ugly creatures. They resemble those in the original film as do some of their origins (memories of creatures emerging from human bodies).

This time the characters are young, in their 20s, trapped in the mines, discovering a possibility for escape, to get to the abandoned spaceship and travel to a freer destiny. The central character is Rain, played by Cailee Spaeney, a pleasant and enterprising young woman, the firm friend of a high-tech android, Andy (a most sympathetic performance by David Jonsson, nicely genial and indulging in puns and wordplay, then reprogrammed to higher intelligence and loyalty to the mining Company, his skills essential for escape and survival. There is the sympathetic Tyler, his wilful and obnoxious cousin, Bjorn, Tyler’s pregnant sister Kay, Bjorn’s girlfriend, Navarro.

Most of the action, of course, is on the space ship, the discovery of the alien creatures, the sense of menace and terror, refuge and escape in various parts of the space ship, Rain assuming more and more leadership, becoming the new Ripley.

The film works well as a contribution to the Alien franchise, satisfyingly linked to the previous films and the original, but powerful in its ability to keep audience nerves on edge for a great deal of the action, at times unrelenting tension.

1. The seventh Alien film? 45 years after the original? Audience expectations, the various sequels, other explorations of the themes? The success of this film?
2. The time setting for this film, after the original, prior to Aliens 2? The original film, Ripley as survivor and her appearance on the other films? Not in this film? But the connections with the first film, the space ship, its mission, the experimentation, the creatures, the androids, the company, explorations of space, for the planets?
3. The time and the place, light years from Earth, futuristic, space exploration and travel? The opening, the mines, the company, contracts, slave labour, Rain and her wanting to leave, the digging? Her relationship with Tyler, Tyler with Bjorn, Bjorn and his relationship with Navarro, Kay and her pregnancy, and the importance of the android, Andy, sympathetic, the number of puns and play on words?
4. The atmosphere of the film, the creatures and aspects of horror and menace, the atmosphere of terror and its pervading the film and its effect on the audience?
5. The oppressive town, mining site, no sunlight, the humans as slaves to the company? Tyler, his reaction, gathering the group, the plan, to travel to the space ship, to travel to the distant planet? Their working together, the escape, arrival on the space ship, Romulus and Remus?
6. The human characters, Rain, her experience, her wanting to leave the mine, hesitant, trusting Tyler, ordinary but about to emerge as strong heroine? Tyler, leadership, hopes, keeping the group together? The contrast with Bjorn, obnoxious, critical, sabotaging? Navarro, her character, with Bjorn, with the group?
7. Andy, the sympathetic android, personality, British accent, manner, human qualities, intelligence, the bond with Rain, as a brother? And the range of puns and jokes?
8. The episodes on the space ship, the technology, the discovery of the creatures, the pursuit, tenacity, closing doors, isolating? Andy and his contribution, helping? Bjorn and his antagonism, his decisions, the escape, death? Navarro, the creature clutching her, trying to disengage it, ultimately her dying? Kate, her pregnancy, her being trapped?
9. Andy, the control, loss of power, Rain and her substituting the mechanism, his greater intelligence, but at the service of the company? Rain and her ingenuity, the dead, the destroyed androids, then mechanisms?
10. The importance of Rook, the link with Ash from the original film, the use of Ian Holm’s face and expressions, similarity a voice? His explanations, at the service of the company, the mission, the creatures, the power? Rook and his trying to control Andy? Confronting Rain? His destruction?
11. The crisis, the Xenomorphs, vicious, the visual appearance, memories of the creatures of the original film, their infiltrating the human bodies, the shock and then bursting forth? Kay, being trapped, the creatures, her giving birth to the monster, its confronting Rain and Andy?
12. Rain, using her wits, ingenuity, relying on Andy, transforming him back to his original relationship? Rain, the dangers, the confrontations, with the monster from Kay, the deaths of the other members, her becoming a new Ripley?
13. The buildup to the climax? The dangers, Andy and the rescue, rain and her success, setting for the future planet?

MURDER IS EASY

UK, 2023, 117 minutes, Colour.

David Jonsson, Matthew Baynton, Morfydd Clark, Penelope Wilton, Douglas Henshaw, Mark Bonnar, Sinead Matthews, Jon Pointing, Tom Riley.

Directed by Meena Gaur.

Looking at the many negative comments on the IMDb, one wonders whether the choice of the Nigerian as the central character set up prejudicial reactions to the film. On the other hand, the many Agatha Christie fans who like her stories and appreciate different interpretations, have enjoyed it.

In checking on the Wikipedia synopsis of Agatha Christie’s 1939 novel, this version keeps very close to the characters and the plot developments. It had been filmed in 1982 with Bill Bixby as the investigator, Lesley Anne Down as his associate, Helen Hayes as the old lady, Miss Marple like, who observes the murders – and Olivia Haviland as the murderer.

The cast here is not so well-known. In changing the investigator (who in the original returns from overseas postings) to a Nigerian, it has something of the same effect. Although, this is 1954 and there are some immediate reactions to his black presence.

The investigator encounters a Miss Marple like character on a train, played by Penelope Wilton, who tells him of murders in her village (more dangerous than St Mary Mead) and then she herself is murdered. He travels to the town, encounters a young woman at coroner’s sessions, judged accidental deaths, but she is engaged to a self-made peer who has ambitions to transform his village into a modern development.

He seems to be the obvious murderer, plenty of motives and, later, revealed to be fanatical in his attitude towards anyone who opposes him, working with God, so he says, to strike down his enemies. And, with this explanation, it might seem that Agatha Christie has decided that the obvious person is the killer. However, there is a twist and after the detailed explanation about how the villain might have committed all the murders, there are the visuals scenes of the actual killer and the actual murders, building up to a confrontation and rescue.

The end of the novel, the couple is married – not quite the easy romantic fix in this one!

1. The popularity of Agatha Christie novels? This one from 1939 but set in 1954, the Nigerian character, the major and his overseas service, minister and his service in India and his Indian wife, comments about Nigerian independence, British rule, Partition?
2. 1954, the scenes in London, the streets and the betting? The train ride, the village, the names, accommodation, shops and pubs, the mansion, tennis, doctor’s office…? Real feel? The musical score?
3. Luke Fitzwilliam, the opening, his nightmare, the fire and chase, the knife? This recurring? And the finale with the knife? His background in Nigeria, coming to England, political service, the job in Whitehall? The encounter with Miss Pinkerton, friendly, the story of the murders, the betting, his placing the bet, the race and her winnings, her death? His discussion with his friends, their taunting him about his job, independent in Nigeria, is very Britishness?
4. His decision to investigate the situation, arrival, the sessions, accidental deaths, the encounter with Bridget? Some reactions to his being black? Accommodation? No vacancies – giving the money, vacancies? The invitation to the reception? Bridget and her engagement to Lord Whitfield? His manner, the back story, the development? His deals during the war, acquiring the peerage?
5. The story of the murders, the Weir, falling from the building? The further deaths, the minister and his attack and collapse, his later death? The maid, the poison? The outspoken objector at the hearings and his death? The doctor, under suspicion, his collapse and fall at the engagement party?
6. The visit to the poor return, the hostility in the pub, the change, friendship, the women at the engagement party, engaging them for the expose of the murderer?
7. Fitzwilliam and his discussions with Bridget, his investigations, the experience at the Weir with the water, the rescue? His presence at the maid’s death? The later suspicion of him by the police? His involvement with Lord Whitfield, the tennis game, the attraction to Bridget? The engagement party? Lord Whitfield’s reaction?
8. The range of suspects, the doctor and his medication, the revelation of his eugenic books and ideas, the Indian wife and her daughter? Rose and her attraction to the doctor, her being shocked at the books? The doctor and his opportunities, suspicious behaviour, playing up to Lord Whitfield? The surprise of his collapse and death?
9. The major, walking the dog, or haughty towards Fitzwilliam, Is Speaking the language, finding the right time, collaboration, the information from Scotland Yard?
10. The minister, his arguments against Lord Whitfield and the development, his Indian wife, daughter? The funeral?
11. Miss Waynefleet, in the background, the death of her maid? Her back story, emerging, as stories about Lord Whitfield, the buildup of the case against Lord Whitfield, his outbursts about God being on his side, threatening Fitzwilliam?
12. Investigation, the discussions, the clues toured Lord Whitfield, the realisation about Miss Waynefleet, her drugging Bridget, the walk, the talk, attempting to kill her, the rescue?
13. The final solution, Fitzwilliam and his decision to return to Nigeria for independence, and the attraction for Bridget?