Displaying items by tag: Adrian Lester
Grey Lady
GREY LADY
US, 2017, 107 minutes, Colour.
Eric Dane, Natalie Zea, Amy Madigan, Adrian Lester, Carolyn Stotesbery, Chris Meyer, Rebecca Gayeheart, Laila Robbins, John Shea, Billy Sherry, Rafiki Rocky Rodrigues, Eilin O'Dea.
Directed by John Shea.
Grey Lady is a police investigation with a number of murders to be solved. And, the title refers to the island of Nantucket, inclement in its off-season.
For those who want to sit back and enjoy this kind of thriller, there are certainly intriguing elements. Some reviewers refer to the intricacy of the plot lines – while others just simply label the episodes as chaotic. It will depend on the viewer’s frame of mind at the time of watching.
The film was directed by veteran actor, John Shea, who also appears as the local police chief. The star of the film is Eric Dane as the investigator, emotional because of the death of his sister and of his partner, trying to investigate the background of family members. It is interesting to see British actor, Adrian Lester, as one of the local police and there is a tour de force performance by Amy Madigan as the mysterious aunt.
Lots of atmosphere. Quite a number of killings. All kinds of intricacies in the tangles of the plot and the solution.
- The title, the island of Nantucket, its weather, nothing being either black or white?
- The American movie tradition of police investigations, murders, mysteries, detection, serial killers and motivations, sanity and insanity?
- The introduction to Doyle, the paper headlines of the death of his sister, his partner, Maggie, discovering her pregnancy, the callout, the screaming, Maggie tending the woman, the woman killing her, Doyle and his confrontation with the man, his eyes, the escape? Maggie and her death, the Rose and the Crown? Consequences, Doyle and his suspension, forbidden to continue investigating, his defiance, the travelling to Nantucket?
- Doyle, his personality, the significance of the happy opening sequence, the family, his father? The later return to the photo? The ambiguity of his father, the revelation of the relationship with Lola, his father and Lola and the fight, his uncle’s death, his coming into the room, assuming his father had killed his own brother? And the focus on Beth as a little girl, watching everything, traumatised?
- Doyle, personality, taciturn, unsmiling, determined, the burden of his past, the death of his sister and partner? On the boat, meeting the Duchess, and meeting Eli? Johnson, his welcome, the police on the island, not wanting Doyle to investigate? The tensions? The collaboration with Johnson, Johnson and playing in the band, the bond? And Doyle getting information from his colleague back in Boston? The authorities in Boston?
- The events on the island, the exhibition, Billy and the sculptures, Melissa and her paintings, Doyle attracted to the woman in the bath, memories of his partner, buying it, the celebration afterwards? Eli and her spilling wine on the painting, the apology, joining in the gathering afterwards? The meetings with the Duchess, the divorce, the intensity of her businessman husband, her death?
- Doyle, getting more information about his family, the visit to the house, Tony and his collaboration and information, seeing Angela – and the later revelation that Angela was Lola?
- Doyle and Melissa, the bonding, the discussions, revelations, Melissa and her tensions? Clara, Irish, massage, friend?
- The revelation of the audience of who Eli was, her collaborator, revealed as her brother, Perry? The discussions between them, Eli as Beth, her trauma, orphanage, institution, escape, collaboration with her brother, the religious language and motivations? The revenge for the death of her father, blaming Doyle for his father’s killing of her father, the series of murders of relations and friends, and the symbols on the victim spelling out Doyle’s name?
- Eli/Beth and her charm, yet her madness, manipulation, violence, vengeance, control of Perry? Perry and his violence? The episode with Tony, blindfold, cutting off his fingers, the confrontation and the pursuit? The confrontation with her mother, threatening, unable to shoot her? The episode with Clara, the massage, locking Beth in, Perry and the guns, the confrontation, Beth killing Clara, the disposal of the body, the manoeuvres to track Melissa, the phone calls, confronting her, telling her of the death of Clara, Melissa’s collapse, the boat, abducting her?
- Doyle, putting the pieces together, working with Johnson, information from Boston? The meeting with Lola, revealing the truth, the flashbacks to what happened, the fact that Lola had killed her husband, but the little boy had seen only his father with the weapon? The whispered promises in the church? Builders gift of his father’s camera?
- The final confrontation, with Beth, threatening Melissa, her death? The confrontation with Perry, the gun, the revelation of Lola’s secret, that Perry was in fact Doyle’s brother, not being able to kill him? The arrest?
- The end, to going back to Boston, farewell from Johnson, the praise of the local authorities, the final talk with Melissa, and the story throwing the coin at the lighthouse – and the flashbacks to the memories, Doyle’s father and the camera, the whole family the throwing coins, and the irony of their return?